Selected performances
Stork Migrations Control food and you control the people The Moor May Go* Genealogies Ritournelle Compulsion-Attaque Dawdle A Space Made For Giants Eier haben Odem She's all dressed up for peace Cabine
Reel crusoe Aus den Trümmern des Paradieses Exhibition: Forschungswerkstatt - Kolonialgeschichte in Tempelhof und Schöneberg In Arcadia: How Soldiers Become Mermaids Trümmerberg Kilimanjaro
Hommage to Diane Torr Squat Monument Heraud-Baumann Reflektor Forum theatre in prison: “zukunftsmusik” Shifts- Investigating Scores Dealing With Normative Gaze In Performance Art
Portrait of Bárbara Santos for her book ://aboutblank Sans Titre, 2020 Spring Champs Père et Fils / Father and Son Sans Titre, 2021 Au dessus, 2019

This book contains sixty two photographs taken by hand-made camera obscura.

For one month, I walked through the city of Brussels and collected two hundred cans that I put together to build a structure the size of my body in sitting position. This structure was light-insulated with black plastic bags. I tweaked each can into a camera obscura in order to get images from a 360° angle view within my habitation. I put the structure in the streets and locked myself in. One by one, I pierced the lens of the pinhole cameras through the aluminum. I put photographic paper inside each of them and tried to develop them one after an other. I was able to develop seventy two pictures before having to leave the structure because of the lack of air and oxygen. All images are displayed in this book.


Les Halles de Schaerbeek, Brussels

Photos: Anaïs Héraud-Louisadat

This book is the result of a durational performance made in front of Les Halles de Schaerbeek in the frame of the festival Troubles 7.

Performance for the festival Troubles 7

Les Halles de Schaerbeek, 2011

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