Anaïs Héraud-Louisadat

performance artist

 

Decolonizing German and European History at the Museum of Katrin Sieg (2021)

On Squat Monument (Nathalie Anguezomo Mba Bikoro and Anaïs Héraud-Louisadat) and its related museum's intervention at Research Workshop on Colonialism in Museum Schöneberg.

About the book:
Decolonizing German and European History at the Museum
examines efforts by European museums to investigate colonialism as part of an unprocessed past, confront its presence, and urge repair. A flurry of exhibitions and the overhaul of numerous large museums in the last decade signal that an emergent colonial memory culture is now reaching broader publics. Exhibitions pose the question of what Europeans owe to those they colonized.
Decolonizing German and European History at the Museum shows how museums can help visitors mourn historic violence and identify the contemporary agents, beneficiaries, victims, survivors, and resisters of colonial presence. At the same time, the book treats the museum as part of the racialized power relations that activists, academics, and artists have long protested against. This book asks whether museums have made the dream of activists, academics, and artists to build equitable futures more acceptable and more durable—or whether in packaging that dream for general audiences they curtail it. Confronting colonial violence, this book argues, pushes Europeans to face the histories of racism and urges them to envision antiracism at the global scale.

Katrin Sieg is Graf Goltz Professor and Director of the BMW Center for German and European Studies at Georgetown University.

University of Michigan Press
Ann Arbor

Ausstellungsdokumentation - Forschungswerkstatt: Kolonialgeschichte in Tempelhof und Schöneberg (2017)

Catalog of the exhibition Research Workshop on Colonialism in Museum Schöneberg with texts and images of the artistic intervention of Nathalie Anguezomo Mba Bikoro and Anaïs Héraud-Louisadat in the frame of their project Squat Monument.

Noemi Molitor, «Koloniale Musealisierung revisited: Squat Monument besetzt Erinnerung neu», in taz.plan, Jun 2016.

Noemi Molitor, «Koloniale Musealisierung revisited: Squat Monument besetzt Erinnerung neu», in taz.plan, Jun 2016.

Nathalie Mba Bikoro and Anaïs Héraud-Louisadat,in Südlink: Körper und Politik, Jun 2016.

«Ritournelle 1 et 2» in ACTUS IV, Editions Académie Royale Des Beaux-Arts de Liège, Mar 2016

Asta Kilhman: «Ääniveistoksia»,in Turun Sanomat, Oct 2015.

Petros Konnaris: «Actions and Presence»,in New Performance Turku-blog, Oct 2015.

"SHIFTS - INVESTIGATING SCORE IN PERFORMANCE ART Interview #5", by Johanna Gilje in Month of Performance Art-Berlin Blog

"From Refrains to new ideas", in Koneen Säätiö, Saari resident decisions for 2015

«"Przyjęcie" w Trafostacji Sztuki», in SZUM, Nov 2014

Riika Niemelä: «Kehollisen altistumisen tutkielmia»,in Turun Sanomat, Oct 2014. About the performance "Compulsion-Attack" at New Performance Turku

Paula Chesley: «NGinPA perfoms», Month of Performance Art Berlin - The Blog. May 2014. About the initiative NGinPA.

Paula Chesley: «The normative gaze in Performance Art», Month of Performance Art Berlin - The Blog. May 2014. About the initiative NGinPA. About the initiative NGinPA.

Tina Mariane Krogh Madsen: «Dealing with Normative Gaze in Performance Art», Month of Performance Art Berlin - The Blog. May 2014

Louise Trueheart: «Women walking in spider webs», Month of Performance Art Berlin - The Blog. May 2014. About the initiative NGinPA.

Transmediale: «Desire» in BWPWAP. Fevrier 2013, Haus der Kulturen der Welt, Berlin

A. Pickels: «Traversée» in «In Between».Decembre 2011, Cifas asbl, c/o La Bellone, Bruxelles.

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